chris ziegler / movingimages
Pixel für Pixel

Ein Gespräch mit Christian Ziegler
Von Klaus Kieser

Seit er an William Forsythes CD-ROM Improvisation Technologies mitgewirkt hat, ist Christian Ziegler ein gefragter Medienkünstler. Seit 1993 arbeitet er am dortigen Zentrum für Kunst und Medientechnologie, an dem interaktive Projekte mit Künstlern wie Bill Seaman entstanden. Zu seinen eigenen Werken gehört scanned (in Zusammenarbeit mit der Tänzerin Monica Gomis), das im September 2000 in München herausgekommen ist.KK: Wie kam es zu Ihrer Produktion s
01/02/2001 - Tanzdrama, Klaus Kieser

No Body lives here (ODO) - Pandemic Version

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Badische Neueste Nachrichten BNN 2. July 2020
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15/07/2020 - Badische Neueste Nachrichten BNN 2. Juli 2020

PopUp Stage ARENA

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Badische Neuest Nachrichten BNN Jul29 2021:
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13/12/1901

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Badische Neueste Nachrichten BNN Jul29 2021:
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13/12/1901

chronotopia

Human Dilemmas Chronotopia is a multi-media dance production based on a Tamil epic Attakalari

Centre for Movement Arts presents 'Chronotopia', a multi-media dance production choreographed by Jayachandran Palazhy and the dancers at Attakkalari.
Supported by India Foundation for the Arts, the show will have a world premiere at the Attakkalari India Biennial 2009, the international festival of dance and digital art. Chronotopia oscillates between memory and experience, and explores human predicament in a time of rapid changes.
Inspired by the Tamil epic, '
06/02/2009 - The Hindu, author

Movements redefined Attakkalari's multi-media dance production;

Chronotopia was staged in the city Jayachandran Palazhy, artistic director of Attakkalari Centre for Movement Arts talks about his latest production, its contemporary approach and the language of movement. On Chronotpia Chronotopia is all about dealing with the sense of loss in contemporary times. Life today has become increasingly uncertain and insecure. We live in a world marred by wars, terrorism and multiple forms of suffering. It is depicted through the plight of women? her rage, anger and fighting back. Th
21/02/2009 - Times of India, author

It was artfully choreographed in its various portrayals.
The dance ballet does not adhere to a sequential or linear narrative to convey a story, but rather it has been evoked from the performer's memory.

the play somehow leaves a mark on the audience. The play only proved that the beauty of storytelling in abstract is more challenging to the performers and the audience and adds depth to the experience of the performance.
13/02/2009 - Deccan Herald Bangalore, Madhuri Kalyan

turned


01/01/2005 - Ballet Tanz, Arnd Wesemann


04/11/2004 - Suddeutsche Zeitung, Katja Schneider

scanned I - V

The Pioneer/ 2002/ Scanned V It was a remarkable fusion experiment of sophisticated electronic wizardry, with Germany?s Christian Ziegler and Kerala?s dancer-choreographer Jayachandran Palazhy??The memory it left was unforgettably luminous.
01/03/2002 - The Pioneer, author

Bill Forsythe: Improvisation Technologies

Die CD-ROM
Von Christian Ziegler

"Nützt es einem Choreographen, in den Probne digitale Medien einzusetzen" William Forsythe, auf dessen Initiative die CD-ROM "Improvisation Technologies" zurückgeht, sprach zu Anfang des Gemeinschaftsprojektes von Ballett Frankfurt und dem ZKM Karlsruhe (Zentrum für Kunst und Medientechnologie) lakonisch von einem "Timesaver", einem "Zeitsparer". Für uns Designer und Programmierer klang das zuerst recht abwertend. Erst nach und nach stellten wir fest, wie wichtig es William Forsyt
01/08/1994 - ballettanz, Christian Ziegler