 2009 | Inside Movement KnowledgeResearch Project: Inside Movement Knowledge is a two-year collaborative, interdisciplinary research project into new methods for the documentation, transmission and preservation of contemporary choreographic and dance knowledge. The project is a continuation of the Notation Research Project, Emio Greco | PC's investigation into systems for recording and transmitting the essential elements of their creative work. The outcomes of this research were presented (October 2007) in the form of an interactive installation and publication of a book, film documentary and interactive DVD with the title Capturing Intention. Installation (ds|dm - second work phase for "professional level"): The Interactive Installation Double Skin/ Double Mind is a virtual version of the Double Skin/Double Mind workshop. This workshop, which has been taught by dance company Emio Greco | PC since 1996, represents the basis of the creative work of choreographers Emio Greco and Pieter C. Scholten. Participants in this workshop are challenged to discover new interpretations of their dancing body. Throughout 2006 an interdisciplinary research group, consisting of dance notators Eliane Mirzabekiantz and Marion Bastien, motion capture researcher Frédéric Bevilacqua, cognitive neuroscientist Corinne Jola, media artist Chris Ziegler, cinematography Maite Bermudez, artistic research processes Scott de Lahunta and EG | PC researcher Bertha Bermudez, has been focusing on this specific workshop trying to analyse and document it. Inside Movement Knowledge Research Team: Amsterdam School of the Arts (AHK) Art Practice and Development Research Group and AHK Dance Department/Theaterschool, the Netherlands Media Art Institute, the University of Utrecht (Theatre Studies program), Emio Greco | PC Dance Company, ICKAmsterdam (International Choreographic Center) www.insidemovementknowledge.net www.ickamsterdam.com |
 2007 | Double Skin/Double MindDouble Skin/Double Mind Interactive Installation DVD/DVD-ROM and Book (Capturing Intention) published by Emio Greco | PC and AHK Amsterdam (englih/dutch) ISBN 978-90-810813-2-0 The Interactive Installation Double Skin/ Double Mind is a virtual version of the Double Skin/Double Mind workshop. This workshop, which has been taught by dance company Emio Greco | PC since 1996, represents the basis of the creative work of choreographers Emio Greco and Pieter C. Scholten. Participants in this workshop are challenged to discover new interpretations of their dancing body.... |
 2007 | DanceMediaAcademy 07DanceMediaAcademy 07, Kunstfest Weimar Chris Ziegler, installation "forest 2" Students from Palucca Schule Dresden, choreography Students of Bauhaus University Weimar, music |
 2007 | Tanzwerkstatt Europa 2007Workshop 1st -9th August 2007 Accademia Mobile / wald-forest Workshop, Rehearsal Muffathalle, i-camp Theater, Munich 9th August 8:30 PM showing "meet you in the forest" i-camp Theater, Munich Through Emio Greco | PC's artistic collaboration with German media artist Chris Ziegler Accademia Mobile will run an edition within the TANZWERKSTATT EUROPA. Since 1989 this annual dance festival has been a two-week meeting place for dancers and choreographers in which different bridges of understanding between dance and other forms of visual art, acting, musical theater, and new forms of media art are created. In the form of a coaching project for dancers, choreographers and actors, the Accademia Mobile edition at the Tanzwerkstatt will focus on the interaction between different artistic languages: the Emio Greco | PC workshop 'Double Skin/Double Mind' and the interactive installation of Chris Ziegler 'wald-forest'. The workshop 'Double Skin/Double Mind' will serve as a physical and mental preparation for a later entrance into the interactive space of 'wald-forest', where movement parameters are related to light and surround sound architecture, creating interesting spatial perspectives for movement creation. The combination of experiences will be used to encourage each participant to participate in a creative project that will end with a public presentation on the last day of workshop. For more information please contact: www.jointadventures.net www.emiogrecopc.nl |
 2005 | D.A.N.C.E.D.A.N.C.E. is a European interdisciplinary professional insertion programme for young dancers under the Artistic Direction of Frédéric Flamand, William Forsythe, Wayne McGregor and Angelin Preljocaj. Affiliated to this foursome are Pierre Droulers, Michele Anne De Mey and Thierry De Mey, the new artistic direction of Charleroi/Danses and the independent media artists Lutz Gregor and Chris Ziegler... |
 2003 | dancemedia 2003 Tokyo workshopdance and new media workshop "realtime presence" with performance group "NEST", "[RE]" Tokyo creating interactive performances with realtime software technology (ISADORA, an other tools). using infrared videotracking with sound (electronic), music (life) , lights (shadow play) , and specific stage architecture for projection. lecture and performane with Yuzo Ishiyama / NEST at Spiral Hall, Tokyo |
 2000 | cellbytes 2000Telematic Performance Workshop Cooperation between shinkansen/futurephysical London, UK with Institute for Studies in the Arts Arizona State University (ASU) Phoenix, USA "telematic performance work" refers to the use of a telecommunication network to establish links between two remote spaces at the same time and to present the activities in those two separate spaces variously as a single performance event. In the case of Cellbytes, these activities will, at the same time, be presented using current software and hardware technologies to make use of the Web as a third performance "space". As with many "new media" projects, telematic performance work can be traced back along historical and aesthetic trajectories that include and overlap with a range of art practices including installation, performance and communication art, video, etc. In doing so, one encounters many of the same concerns being addressed using different forms of technology in different contexts. In addition to the telematic work -- another aspect of the Cellbytes project has been to utilise a triggering/ sensor environment in each space. This has had particular implications for the dancers who need to adjust to several degrees of disorientation in the spaces. The group process model being used on this project is inter-authorship with a very strong emphasis on the pooling of skills and ideas, the constant interweaving and, in particular on this project, the crossover between the creative processes of dance/ choreographers and media/ technician artists." Documentation by Scott deLahunta/ASU Phoenix: www.ephemeral-efforts.com/cellbytes2000/index.html www.futurephysical.org ame.asu.edu |